The New Yorker

It looks like I'm not the only one doing philosophical analyses of Dr. Seuss.  From the New Yorker:

The Cat in the Hat was a Cold War invention. His value as an analyst of the psychology of his time, the late nineteen-fifties, is readily appreciated: transgression and hypocrisy are the principal themes of his little story. But he also stands in an intimate and paradoxical relation to national-security policy. He was both its creature and its nemesis—the unraveller of the very culture that produced him and that made him a star. This is less surprising than it may seem. He was, after all, a cat.

For more...