Wednesday, July 27, 2011

Why words?

Today, as Helena and I walked to the beach, she bow-wowed at every dog we saw, meowed at every cat, and even tried a neigh at the horse tied up in the wetlands by the dunes.  She makes the same sounds when she sees animals in her picture books: a couple of posts ago, I suggested that she is naming the animals in a kind of onomotopeia, but today as she and I talked, I reconsidered.

One of Helena's favorite videos right now is a Italian song about the sounds animals make: Il croccodrillo como fa?, and she loves another video that just shows animals and the sounds they make... What's interesting, though, is to watch how she gets scared at the sound of certain animals: yes, the crocodile, but also the cicada and the certain birds.  And as she and I talked as we walked to the beach today, I realized that (at least in the videos), she never gets scared by the animals whose sounds she knows how to make.



In the history of the West, at least since the Greeks, the role of language is to represent: words refer to things, and we judge their truth based on whether or not they reflect what's there in the world truly.  And though it might seem that Helena uses "bow-wow" to refer to a dog, honestly I don't think that's what she is doing.  I think there is something much more complicated and interesting going on here.

According to Eduardo Viveiros de Castro, while European epistemology (the science of how we know what we know) is based on ideas of reference and signification, Amazonian Indians see truth not as representation, but as a shift in perspective.  The shaman doesn't know the jaguar by studying it from outside, but by learning to look through the eyes of the jaguar.  One of the techniques that Amazonian shamans use to see through the eyes of the other is sound: one tribe will "steal" the songs of another and then sing them to try to understand the perspective of their enemy (in Araweté, strikingly, the word for "enemy" literally translates as "future music".).

Let's add another element here: understanding is one way to overcome our fear.  Just giving a thing a name can help, but the better we understand the motivations, the experience, the perspective of what frightens us, the less we fear it.

 I wonder, then, if Helena Iara making the sound of animals that scare her, isn't living out the Guaraní heritage of her middle name.  Helena used to be fascinated and terrified by dogs, but since she has learned to say "bow-wow," both naming them and putting their voice in her mouth, the terror has subsided.  She makes a sound, incarnates their perspective (even if in a very superficial way), and comes to fear them less.

If she's really doing this, she's pretty darn clever.

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